
The Story of Andon Ryokan
It All Began with an Edo-Period Ariake Andon Lantern Discovered by the Owner
June 2003 - Andon Ryokan opened, designed around the theme of traditional Japanese andon lanterns.
January 2009 - The Arita porcelain “Kissho-zukushi” Jacuzzi opened.
May 2012 - The rooftop observation terrace opened.
January 2017 - All guest toilets and washbasin areas were renovated under the theme of “Fun Toilets.”
February 2020 - The antique-themed café “Fuku Andon” opened, and a new group room was added on the first floor.
June 2025 - The first-floor entrance porch, including the smoking area, was renovated. The laundry room was also upgraded with new washing machines and dryers.
January 2026 - The rooftop terrace was renovated and expanded, with new tables added.
August 2026 - All guest rooms renovated.
Architectural Design
Selected Architectural Designs 2005, Architectural Institute of Japan
Architect: Masayuki Irie
Exterior Design
Andon Ryokan is a five-story steel-frame building. The fourth and fifth floors include the owner’s residence, a private Jacuzzi for guests, and a luggage room.
When designing the building, the architect considered how to express a sense of traditional Japanese architecture through a steel-frame structure. The answer was the andon, a traditional Japanese lantern.
The design allows the light from each guest room to softly glow through the exterior, reflecting the presence of travelers staying within. This Japanese aesthetic is expressed through a combination of DPG glass, horizontal metal louvers, perforated metal, and panels.


Interior Design
In contrast to the exterior, the interior lighting is kept deliberately low to complement the deep, polished tones of timber found in traditional Japanese houses.
Light sources are positioned close to the floor, creating a soft glow reminiscent of candlelight in the darkness. As the light gradually spreads across each surface and material, it gently reveals their textures and brings the Japanese character of the space into view.
The materials themselves are simple and widely available. Rather than relying on expensive finishes, the design combines, layers, polishes, and paints familiar materials to create new depth and texture.
For example, painted calcium silicate boards along the corridor walls take on the subtle appearance of a diamond-patterned woven fabric under muted light. Other details include stainless-steel accents set into the dark steel around guest-room entrances, aluminum angles and flat bars used to define the transitions between wallpaper and timber, and decorative elements combining acrylic, Japanese paper, and metal lath.
The same approach extends throughout the building, including the exposed steel structure and the various exterior finishes: ordinary materials are carefully combined and refined to create a distinctive architectural expression.
Machiya-Inspired Space
The first floor houses the front desk and lobby, designed with the atmosphere of a traditional Japanese machiya townhouse. The space combines a doma-inspired entrance area with a small wash area and a wood-floored sitting space, where guests can enjoy breakfast and conversation.
Our hope is that a warm and lively community will grow around the owner as she cooks and connects with guests from around the world, and that Andon Ryokan will serve as a welcoming place for cultural exchange between Japan and the world.

Selected Architectural Designs 2005
Architectural Institute of Japan
ANDON Ryokan TOKYO
2-34-10 Nihonzutsumi, Taito-ku, Tokyo
Masayuki Irie / Jun Ikemura / Takayo Irie
Published in the Journal of Architecture and Building Science, Architectural Institute of Japan
Tile Art Inspired by Japanese Public Bathhouses
Private Spa & Jacuzzi

Private Spa & Jacuzzi — “Kissho-zukushi”
When I was a child, I went to our lively neighborhood sento, or public bathhouse, almost every evening.
The sento was more than just a place to take a bath. I saw all kinds of people and everyday scenes there, and learned many of life’s little lessons along the way. One of my favorite traditions was waiting for the large painted mural on the bathhouse wall to change for the New Year.
I wanted to bring some of that same sense of fun and warmth to the Jacuzzi at Andon Ryokan. I hope you enjoy the colorful world of the tile art, relax, and take home a happy memory of your own.

The Artist: Mee Ishii
The Kissho-zukushi tile artwork was created in 2009 by artist Mee Ishii at Soejima’s private Arita porcelain studio in Kyushu.
Over two nights, the artist painted the design by hand, tile by tile. The tiles were then fired in the studio’s kiln and individually shipped to Tokyo.
At Andon Ryokan, Mee Ishii, members of the architectural team, and I carefully assembled the tiles again like a giant puzzle. We numbered each tile on the back before a professional tile craftsman installed the completed artwork.
Late one night after the installation was finished, I noticed something: one tile forming the left leg of a dancing man had been installed upside down!
I corrected it myself, and even now, it remains one of my favorite memories from the making of the Kissho-zukushi Jacuzzi.
Original Manga Art
By Manga Artist Ryo Koshino
Perhaps this is what people mean when they say one encounter leads to another.
One day, we discovered that the father of one of our staff members was a professional manga artist. When we decided to renovate our restrooms, we asked him, “Would you draw manga on our walls?”
The artist who kindly accepted our unusual request was Ryo Koshino.
Today, his original manga artwork covers an entire wall at Andon Ryokan, creating a unique space where guests can experience a distinctly Japanese form of art and storytelling.
Ryo Koshino
Born September 25, 1967, in Sanjo City, Niigata Prefecture.
2004 — Made his debut with NS’ Aoi in Kodansha’s Morning
2011 — Machiisha Jumbo!!, published in Kodansha’s Weekly Gendai
2015 — Ginko Shogai Tanto Takenaka Haruo, serialized in Kodansha’s Weekly Gendai
A Collection of Antiques
For our owner, collecting antiques has always been part of traveling. More recently, regional miso has joined the list too.
Whenever she travels, she makes a point of visiting antique shops and markets—and even on a road trip, she will stop the car whenever an antique shop catches her eye.
With the exception of our original pieces, the tableware used at Fuku Andon has also been collected from antique shops and markets across Japan. Some pieces are slightly uneven, some have faded with age, and many carry a sense of nostalgia.
Each one has its own character—and a memory of the journey where it was found.
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